Mother, Who Will Weave Now? attempts to sample and mirror the grand tapestry of Indian textile tradition and history by interweaving snippets of Indian cloth on an editing table, using the poetic meters of classical Indian literature sewn together with the words and motifs of the weaver-saint Kabir.

Recently released from prison, Beth is working with her public defender to get her son back from her sister, who was awarded legal custody while Beth was incarcerated for ten years. Soon after, Beth forms an unlikely alliance with Jess, an idealistic young protégé of the public defense team, who decides to take on Beth's cause whether she likes it or not.

Directed by Senkichi Taniguchi

Challenging the dominant histories of Scotland, this tender work invites us to listen to the landscape — hearing echoes of the marginalised voices we have been made to forget. 　　This film is a cry against the erasure of cultures, languages and identities, told with passion and splendour. History forgets and history remembers, in a process that is not neutral. A singular narrative dominates: books are burnt, dissenters are imprisoned and memories fade. But history is not over. Our movements not only send vibrations towards the future, but into the past. Four queer voices speak in striking locations across Scotland, asking us whose bodies moved the wheels of our industry, whose hands placed the stones of our castles and whose fingers made room in the earth for our crops. When the history books don’t tell the full story, we look to the land itself.

Vijay a young graduate planning to get a software job in Hyderabad tries to revive his father's lost weaving tradition for Priya's wedding.

The second film in Shin-Ei's series of annual WWII themed anime television movies for children "Sensou Douwa".

A Blue Ribbon winner at the American Film Festival, this hard-hitting, dramatic production is about the relationship between a young man with AIDS and his estranged mother. Unable to understand or accept each other's lives, mother and son are at a stalemate of their own making.

A young girl named Hye-Na is abused by her mother, Ja-Young. Although she is not okay, she tells other people she is alright. Soo-Jin is a temporary teacher at the elementary school where Hye-Na attends. Soo-Jin is aware of her situation and decides to become her mother.

Henri Verneuil was born Achod Malakian of Armenian parentage on October 15, 1920, in Rodosto, Turkey, and his family fled to France and settled in Marseilles when he was a young child. He later recounted his childhood experience in the novel Mayrig, which he dedicated to his mother and made into this 1991 film with the same name.

A mother lives quietly with her son. One day, a girl is brutally killed, and the boy is charged with the murder. Now, it's his mother's mission to prove him innocent.